Here are entered works on a movement for the purpose of church cooperation and unity, generally dated from the Edinburgh Missionary Conference of 1910 and leading to the formation of the World Council of Churches in 1948. Works on prospective and actual mergers within and across denominational lines are entered under Christian union. Works on unity as one of the "marks" of the church are entered under Church--Unity. Works on religious activities planned and conducted cooperatively by two or more Christian sects are entered under Interdenominational cooperation.
Here are entered works that discuss the movements of robots and their component parts in general. Works that discuss the motion of robots in relation to the forces affecting them are entered under Robots--Dynamics.
Here are entered musical works composed for sound films or performed on soundtracks. Works about unaltered motion picture soundtracks that may include speech, sound effects, music, etc., are entered under Film soundtracks. Musical works composed or adapted to accompany silent films are entered under Silent film music.
Here are entered collections of motion picture reviews. Works on the technique of motion picture reviewing are entered under Film criticism. Works on criticism of screenplays are entered under Motion picture plays--History and criticism.
Here are entered works on recordings of unaltered motion picture soundtracks that may include speech, sound effects, music, etc., and that may be complete soundtracks or selected portions of soundtracks. For those that include music, an additional subject entry is made under the heading Motion picture music.
Here are entered works on films that feature a build up of suspense, tension, uncertainty, menace, and anxiety as primary elements and in which the audience is kept on tenterhooks. Works on the use of suspense in motion pictures, television programs, and video recordings are entered under Suspense in motion pictures, television, etc.